The regular production of works is extremely demanding and the artists are often unable to assume the load, year after year.
In addition, today's dance incorporates choreographic experiments of all types and assumes a multitude of forms: installation, video, itinerary, event, and so on.
Choreographers need to escape the normal cycle of production and expand their creative ideas by adapting or rearranging the resources already in place, by devising different working structures, by questioning and thinking about the work in different ways, by surrounding themselves with new collaborators and familiarizing themselves with new concerns and aesthetics.
Although the financial resources are limited, it is possible to conceive of different production modes within new creative frameworks.
Lynda Gaudreau